Mandy Moore So Real Zip

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In the and -produced track 'Love Shot', Moore asks her boyfriend if can handle her, because she will not 'stop in [her] love shot'. The next song, 'I Like It', which was co-written by the member, is related to when one likes everything a person does and it feels right. Its twelfth track, 'Love You for Always', is a mid-tempo track where Mandy wishes that she stays with her boyfriend forever, because she is going to love him for always. 'Quit Breaking My Heart (Reprise)', which ends the album, is an acoustic-like track that repeats the chorus of its original song. Reception [ ] Professional ratings Review scores Source Rating C− Reviews among music critics were generally mixed.

So it would seem that The Best of Mandy Moore-- released in November 2004, at the end of her contract with Epic -- would be little bit more than footnote to the teen pop phenomenon of the early 2000s, and that may be true if success is only calculated on those aforementioned charts or cultural impact. So Real is the debut studio album by American pop singer Mandy Moore.The album was released on December 7, 1999, in the United States by Epic Records. The album's lyrical and visual representations maintained the common theme of virginal innocence in the late 1990s teen pop revival.

I danced way too hard the entire time.' After asking Jenna about dancing in the video, James and Jenna recreate one of 's classic dances, a routine she learned as Janet's backup dancer and James learned in his living room long ago - Watch below!

It received more success abroad, peaking at #6 in the UK and #2 in Australia. The music video, which was directed by, had a cameo by the and also featured a young briefly.

In My Pocket, 2. You Remind Me, 3. Saturate Me, 4. One Sided Love, 5. It Only Took a Minute, 9. Turn the Clock Around, 10.

'Let Me Be the One' ( cover) Ian Foster The Wasabees 3:50 9. 'Not Too Young' Tony Battaglia, Obie Morant The Wasabees 3:52 10.

Moore was then signed and started recording her debut album. To start the promotion, she toured with the throughout 1999 and the album was released in December. Composition [ ] The opening track of the album, 'So Real', was also the third single released from the record overall, and the second in Australia. In its lyrics, Moore sings that what she feels about a guy is 'so, so real'. The song was written by Tony Battaglia, Shaun Fisher and produced by The Wasabees. Its second song and lead single, 'Candy', talks about her feelings, that she misses and craves for her love like 'candy'.

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I was like, 'I'm doing a Mandy Moore video.' It was this huge production,' Jenna described.

Moran – composer • David Rice – composer • Mark Stevens – composer Charts [ ] Chart (1999) Peak position U.S. 31 Year-end charts [ ] Chart (2000) Peak position U.S 116 Certifications [ ] Country Providers Certification Sales U.S. Platinum 1,000,000 References [ ].

• ' Released: August 17, 1999 • ' Released: December 7, 1999 • ' Released: June 13, 2000 So Real is the debut studio album by American singer. The album was released on December 7, 1999, in the United States. The album's lyrical and visual representations maintained the common theme of virginal innocence in the late 1990s teen pop revival.

'Quit Breaking My Heart' Tony Battaglia, Shaun Fisher The Wasabees 3:53 8. 'Let Me Be the One' ( cover) Ian Foster The Wasabees 3:50 9. 'Not Too Young' Tony Battaglia, Obie Morant The Wasabees 3:52 10. 'Love Shot' Sturken, Rogers 4:24 11. 'I Like It', Mike Lorello, Tony Moran, Tony Moran 4:26 12. 'Love You for Always' Tony Battaglia, Shaun Fisher The Wasabees 3:22 13.

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'Love Shot' Sturken, Rogers 4:24 11. 'I Like It', Mike Lorello, Tony Moran, Tony Moran 4:26 12.

The song received generally favorable critical reviews from, mostly praising its composition. It performed only moderately well on the, peaking just outside the top 40, at #41. It entered the chart on #88 and reached its peak in its eighth week on the chart. Despite this, the song is the most successful single ever recorded by Moore, at least internationally.

How Old Is Mandy Moore

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Mandy Moore has one of those storied discovery tales. In 1997, while recording a demo in an Orlando studio, a FedEx employee delivering a package overheard her singing and told his friend in Sony's A&R department.

Title Writer(s) Producer(s) Length 1. ' Tony Battaglia, Shaun Fisher The Wasabees 3:51 2. ' Tony Battaglia, Shaun Fisher,, JIVE, Charlie, The Wasabees 3:56 3. 'What You Want' Tony Battaglia, Shaun Fisher, Skip Masland The Wasabees 3:42 4. ' Tony Moran 4:23 5. 'Lock Me in Your Heart' Tony Battaglia, Shaun Fisher The Wasabees 3:31 6. 'Telephone (Interlude)' 0:15 7.

It was also recorded in French under the name 'C'est Si Facile'. Track listing [ ] No. Title Writer(s) Producer(s) Length 1. ' Tony Battaglia, Shaun Fisher The Wasabees 3:51 2. ' Tony Battaglia, Shaun Fisher,, JIVE, Charlie, The Wasabees 3:56 3. 'What You Want' Tony Battaglia, Shaun Fisher, Skip Masland The Wasabees 3:42 4. ' Tony Moran 4:23 5.

It entered the chart on #88 and reached its peak in its eighth week on the chart. Despite this, the song is the most successful single ever recorded by Moore, at least internationally. It received more success abroad, peaking at #6 in the UK and #2 in Australia. The music video, which was directed by, had a cameo by the and also featured a young briefly. ' was released on December 6, 1999 as the second single in the US, the song failed to chart when it was first released.

Of all the major teen pop stars who ran wild at the turn of the millennium, was perhaps the least successful, if she's judged merely on terms of chart success. And certainly racked up more hits and headlines than, and she never had a single as undeniably catchy and irresistible as 's 'I Think I'm in Love' (which herself never managed to top after she became a household name, either). So it would seem that -- released in November 2004, at the end of her contract with Epic -- would be little bit more than footnote to the teen pop phenomenon of the early 2000s, and that may be true if success is only calculated on those aforementioned charts or cultural impact. So why is so much more satisfying a listening experience than ' Greatest Hits: My Prerogative, released just a few weeks before this collection? Well, part of it is due to the fact that is simply a better singer than. Maybe she doesn't have quite as much charisma as, but she can carry a tune and her voice doesn't grate over the course of a 14-track album like the way 's can. Then, there's the fact that these songs, since they weren't as widely heard as 'Oops.I Did It Again' or 'Genie in a Bottle,' just sound fresher.

Meanwhile, of course, the downbeats, as high in the mix as those of any disco track, slavishly propelled the songs to mid-tempo rhythms. Can carry a tune, but with no particular distinction, and since the songs were generic expressions of the type, the real questions seemed to be, could she dance, would her videos be good, and how would she be marketed? As was being released, 'Candy' was moving up the charts purely on sales points, since radio had become resistant to adding more teen queens, while MTV had yet to bite.

Music video [ ] The music video for 'So Real' was directed. Mandy begins singing and dancing in a meadow. Next, she appears in a secret forest. She writes in her diary and sings and dances while wearing a fairy costume. Mandy is sitting in the meadow again as the song ends. Debut nch software recorder.

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And 's friendship goes all the way back to 1999! The 34-year-old This Is Us star and Jenna, 37, reminisced about their early days in Tinseltown during an interview together on The Late Late Show on Monday night (July 30). As host helped confirm, the ladies go back nearly 19 years after meeting on the set of Mandy's music video for her second international single, ' from her 1999 debut album. 'It was a song called 'So Real' that was like a single in Australia or something,' Mandy recalled.

• Tony Battaglia • Shaun Fisher singles chronology ' (1999) ' So Real' (2000) ' (2000) ' (1999) ' So Real' (2000) ' (2000) Music video ' on Youtube.com ' So Real' is a song performed by American singer and included originally on her debut album,. The song written by Tony Battaglia and Shaun Fisher. It is her second international single and her third and final single to be released overall. In the United States, ' followed 'Candy' as the second single. A video, directed by, was also released for the single, but was not released in the United States. The single was recorded in French and released very scarcely in France.

Mandy Moore Music

Fifteen-year-old 's debut album sounded like it was inspired almost entirely by listening to recent hit albums by,, and. Tracks like 'So Real' and 'Let Me Be the One' clearly echoed 'Backstreet's Back,' and 's occasional growls were straight out of '.Baby One More Time.' But the singer seemed to have aimed at a slightly younger demographic: Her initial single, 'Candy,' pointedly described love in terms of sugar treats, as if she weren't sure whether she wanted to be at lovers' lane or a snack bar. Naturally, all of the songs adhered to the second-person form of address, in which the singer was continually exhorting 'you' and 'boy' to do something of a romantic nature ('Walk Me Home,' 'Lock Me in Your Heart,' 'Quit Breaking My Heart,' 'Let Me Be the One'). But things always remained chaste, whether she was declaring, 'My innocence won't be denied' in 'So Real' or suggesting the 'uncharted territory we'll discover' before quickly adding, 'You'll always be my dream lover,' in 'Lock Me in Your Heart.'

Mandy Moore So Real Full Album

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Said William Ruhlmann of, 'fifteen-year-old Mandy Moore's debut album sounded like it was inspired almost entirely by listening to recent hit albums by 'N Sync, the Backstreet Boys, and Britney Spears,' citing stylistic similarities between album tracks 'So Real' and 'Let Me Be the One' to the Backstreet Boys' 'Backstreet's Back', and saying that Moore's 'occasional growls' were similar to Spears' '.Baby One More Time'. Ruhlmann stated that Moore could 'carry a tune', but 'with no particular distinction', saying that aside from her singing, the music was 'mediocre'. Commercial performance [ ] Initially, the album debuted at number 71 on the, selling 30,000 copies in its first week, significantly lower than expected. The first single from the album was not a major hit, as it peaked just outside the top 40 at #41 on the. The album reached No. 31, being the highest, and sold 950,000 in United States and was certified Platinum by the, for shipments of over 1 million. Singles [ ] ' was released as Moore' debut single on August 17, 1999.

'Lock Me in Your Heart' is a mid-tempo track where Moore asks her boy to 'lock me in your heart and throw away the key'. Its sixth track, 'Telephone (Interlude)' is a 15-second song which consists of a prelude to its seventh song, 'Quit Breaking My Heart', where Mandy states that she likes her boyfriend, but he always breaks her heart, so he needs to 'quit breaking [her] heart'. A 's cover, 'Let Me Be the One', is an up-tempo song which Mandy seems to be jealous so she tells her lover to let her be the one he gives his love to. 'Not Too Young', the ninth track, is another up-tempo song, which Moore states that a guy is trying to get to her and he thinks he can do that because she's younger than him.

Mandy Moore also donates her time to various charities. One of the most likeable entertainers of our time, Mandy Moore have proven that she has staying power and will continue to gain more fans all over the globe.

• ' Released: August 17, 1999 • ' Released: December 7, 1999 • ' Released: June 13, 2000 So Real is the debut studio album by American singer. The album was released on December 7, 1999, in the United States. The album's lyrical and visual representations maintained the common theme of virginal innocence in the late 1990s teen pop revival.

And while there are no knock-out singles here -- although her biggest hit, 'Crush,' comes close -- there's a greater musical variety, and the chronological running order emphasizes that is growing as a singer and recording artist, getting better with each subsequent album instead of stagnating like many of her peers. As a result, this turns out to be one of the better artifacts of the teen pop boom -- as an album, it's stronger and more enjoyable than almost any other teen pop record from its time, and by the time it's over, you're curious about where will go next. [ also includes a bonus DVD, containing all of her music videos, plus selections from her Sessions@AOL live performance.].

'I was just overly excited. I danced way too hard the entire time.' After asking Jenna about dancing in the video, James and Jenna recreate one of 's classic dances, a routine she learned as Janet's backup dancer and James learned in his living room long ago - Watch below!

However, she sings that she's 'not too young to know the right thing to do, and one of those things is not to fall for you'. In the and -produced track 'Love Shot', Moore asks her boyfriend if can handle her, because she will not 'stop in [her] love shot'.

Album Features UPC 25 Artist Mandy Moore Format CD Release Year 2001 Record Label Epic Genre Rock & Pop, Teen Pop Details Playing Time 50 min. Contributing Artists Jon Secada Distributor Sony Music Distribution ( Recording Type Studio Recording Mode Stereo SPAR Code n/a Track Listing Disc 1 1. Acpi ven hpq dev 0004 driver.

February 6, 2009. Retrieved 2014-06-05. • Steffen Hung.

Reception [ ] Professional ratings Review scores Source Rating C− Reviews among music critics were generally mixed. Said William Ruhlmann of, 'fifteen-year-old Mandy Moore's debut album sounded like it was inspired almost entirely by listening to recent hit albums by 'N Sync, the Backstreet Boys, and Britney Spears,' citing stylistic similarities between album tracks 'So Real' and 'Let Me Be the One' to the Backstreet Boys' 'Backstreet's Back', and saying that Moore's 'occasional growls' were similar to Spears' '.Baby One More Time'. Ruhlmann stated that Moore could 'carry a tune', but 'with no particular distinction', saying that aside from her singing, the music was 'mediocre'. Commercial performance [ ] Initially, the album debuted at number 71 on the, selling 30,000 copies in its first week, significantly lower than expected. The first single from the album was not a major hit, as it peaked just outside the top 40 at #41 on the. The album reached No.